Dos poemas de carretera para corredores principiantes. Tres poemas de realidades grises

Most read articles by the same author(s)

• José Roberto Saravia Vargas, Juan Carlos Saravia Vargas, A Girl in the Dark with Monsters: The Convergence of Gothic Elements and Children’s Literature in Neil Gaiman’s Coraline , Journal Of Modern Languages: No. 21 (2014)
• José Roberto Saravia Vargas, Juan Carlos Saravia Vargas, El uso de las computadoras como herramientas de enseñanza, problemas frecuentes y soluciones alternativas para un nuevo paradigma educativo , Journal Of Modern Languages: No. 18 (2013)
• José Roberto Saravia Vargas, Juan Carlos Saravia Vargas, La influencia de los conceptos de la langue y la parole de Saussure en la enseñanza del idioma japonés , Journal Of Modern Languages: No. 29 (2018)
• Juan Carlos Saravia Vargas, José Roberto Saravia Vargas, Adriana Ramírez Guerrero, Byron Ramos López, An Emergency Call , Journal Of Modern Languages: No. 33 (2021)
• Juan Carlos Saravia Vargas, José Roberto Saravia Vargas, Human Degradation: A Text-to-Film Comparison of the Human Hunts in Connell’s “The Most Dangerous Game” and Golding’s Lord of the Flies , Journal Of Modern Languages: No. 27 (2017)
• Juan Carlos Saravia Vargas, José Roberto Saravia Vargas, Abuse and Theater: The Dynamics of Power in Martin McDonagh’s The Beauty Queen of Leenane , Journal Of Modern Languages: No. 19 (2013)
• José Roberto Saravia Vargas, Juan Carlos Saravia Vargas, The Culture-bound Hierarchy of Manhood: An Overview of Hegemonic Masculinity and Subordinate Male Figures in Shall We DANSU? , Journal Of Modern Languages: Núm. 12 (2010)
• Juan Carlos Saravia Vargas, La nariz del shinigami , Journal Of Modern Languages: Núm. 13 (2010)
• Juan Carlos Saravia Vargas, Tacit Significance, Explicit Irrelevance: The Use of Language and Silence in The Caretaker and The Dumb Waiter , Journal Of Modern Languages: No. 16 (2012)
• Juan Carlos Saravia Vargas, The Cross and the Wheel: An Introductory Study of the Merging of Eastern Religions and Christianity in T.S. Eliot?s Four Quartets , Journal Of Modern Languages: Núm. 15 (2011)