Káñina ISSN Impreso: 0378-0473 ISSN electrónico: 2215-2636

OAI: https://www.revistas.ucr.ac.cr/index.php/kanina/oai
Afrocentrism, gaze and visual experience in Zora Neale Hurston’s Their Eyes Were Watching God
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Palabras clave

Afrocentrism
women
gaze
visibility
visual experience
communication
Afrocentrism
women
gaze
visibility
visual experience
communication

Cómo citar

Marín Calderón, N. (2018). Afrocentrism, gaze and visual experience in Zora Neale Hurston’s Their Eyes Were Watching God. Káñina, 42(1), 261–269. https://doi.org/10.15517/rk.v42i1.33568

Resumen

This essay focuses on how, in Zora Neale Hurston’s novel Their Eyes Were Watching God (1937), African American women get noticed through the use of gaze and visual experience. The marginalization African American women have experienced over the years makes them produce an alternative communication system based on sight and visual understanding. That is, the visual takes over the impossibility of black women to express themselves verbally: instead of voice there is sight.
https://doi.org/10.15517/rk.v42i1.33568
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Citas

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Nicholas, Alice L. (2013). The Non-Verbal Visual as Agency: African American Women’s Communication in Zora Neale Hurston’s Their Eyes Were Watching God. MA Thesis. California State University at Dominguez Hill.

Tangum, Marion M., and Marjorie Smelstor. (1988). “Huston’s and Angelou’s Visual Art: The Distancing Vision and the Beckoning Gaze.” The Southern Literary Journal, 31 (1), 80-97.

Wallace, Michelle. (1990). “Modernism, Postmodernism and the Problem of the Visual in AfroAmerican Culture.” In: Out There: Marginalization and Contemporary Cultures. Ed. Russell Ferguson et al. Cambridge: MIT Press, 39-50.

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